Let the evidence speak.
No prompt required. Cue starts from music you loved, accepted, and actually entered, then chooses a useful direction for now.
Private beta
Cued
Music
your taste, on cue
Private beta · Apple Music
Start with a phrase, a Moment, one song, or simply press Cue. CUED turns your evidence + musical intent into five full tracks, then remembers what actually worked.
Five-track packsFull Apple Music playbackBuilt one listener at a time
Your music, right now
The bet
Shared music knowledge should widen what CUED can find. Your behavior should decide what fits.
CUED uses catalog identity and aggregated music relationships to propose candidates. Other listeners do not become your taste profile. Your connected library, explicit verdicts, and entered listening are the personal evidence that shapes your model.
One personal model · four paths
The lanes begin differently because “play something,” “2000s indie rock for a walk,” and “more like this exact Drake song” are different problems.
No prompt required. Cue starts from music you loved, accepted, and actually entered, then chooses a useful direction for now.
CUED defines the musical center of a Moment. Your taste bends its artists, eras, and edges without erasing what the Moment means.
An AI interpreter turns natural language into explicit musical constraints and preferences. Retrieval and ranking choose the songs. The language model never does.
Radio begins with the exact song, not a random sample from its artist. Song-level relationships expand outward; your taste orders the result.
AI interprets · ML retrieves and ranks
CUED separates understanding a request from deciding what can play. Every candidate must come from a provider-traceable, playable music corpus and pass the same song-level eligibility path.
The LLM identifies what the listener named and what remains flexible.
Guardrail: the LLM may propose meaning. It cannot invent a recording, confer eligibility, or decide that a song belongs to a culture.
Retrieval and ranking combine multiple signals instead of trusting one model.
Learning contract under validation: entered songs lock; feedback may reorder only the unentered tail; thin supply triggers a fresh retrieval pass.
System contract under validation · not a live website query
Ranking objective
CUED moves from music you already know, out through the scenes and artists around it, toward recordings you have not heard. The objective is new-to-you × good, never another route back to the same familiar hits.
How close a candidate sits to evidence you actually produced: your connected library, your explicit verdicts, and the songs you entered rather than skipped.
Whether the recording belongs to what you asked for right now. Artist similarity stays constrained by scene and culture instead of drifting toward whatever merely sounds adjacent.
How far a candidate sits outside what you have already heard. Drop this term and the other two collapse into a familiar-hits engine that never moves.
Read honestly: 73% of served tracks fell outside the connected library. That means unowned, not proven unheard. Unfamiliarity is scored against the evidence CUED actually holds, which is your library, your verdicts, and your entered listening, never a claim about everything you have ever heard.
Evidence, not adjectives
Listening numbers describe the live beta path at its stated read date. Catalog-foundation numbers describe verified production data that is not yet the listener-facing D1.4 engine.
What four private-beta listeners actually received and judged.
What the next candidate engine can draw from once serving integration passes.
Your taste, on cue
CUED is a private research beta for people who want discovery to feel personal without becoming predictable.